Film Studies

American Audiences on Movies and Moviegoing, Tom Stempel (University Press of Kentucky)

David Lynch, Justus Nieland (University of Illinois Press)

Francois Ozon, Thibaut Schilt (University of Illinois Press)

Henry Mancini: Reinventing Film Music, John Caps (University of Illinois Press)

Hold the Roses: An Autobiography, Rose Marie (University Press of Kentucky)

Jan Švankmajer, Keith Leslie Johnson (University of Illinois Press)

Michael Bay, Lutz Kopenick (University of Illinois Press)

Sex Radical Cinema, Carol Siegel (Indiana University Press)

Television Histories: Shaping Collective Memory in the Media Age, Edited by Gary R. Edgerton and Peter C. Rollins (University Press of Kentucky)

The B List: The National Society of Film Critics on Low-Budget Beauties, Genre-Bending Mavericks, and Cult Classics We Love, Ed. David Sterritt and John Anderson (Perseus Books)

The Maciste Films of Italian Silent Cinema, Jacqueline Reich (Indiana University Press)

The Magic World of Orson Welles, Centennial Anniversary Edition, James Naremore (University of Illinois Press)

The Red and the Black: American Film Noir in the 1950s, Robert Miklitsch (University of Illinois Press)

The Reluctant Film Art of Woody Allen, Peter J. Bailey (University Press of Kentucky)

TV’s Most Wanted: The Top 10 Book of Crazy Casting, Off-Camera Clashes, and Other Oddities, Douglas Tonks (Potomac Books/Brassey’s)